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Perdigon
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thumb|upright|Perdigons si fo joglars e saup trop ben violar e trobar: "Perdigons was a minstrel and knew very well how to fiddle and invent songs." Perdigon or Perdigo (fl. 1190–1220) was a troubadour from Lespéron in the Gévaudan. Fourteen of his works survive, including three cansos with melodies. He was respected and admired by contemporaries, judging by the widespread inclusion of his work in chansonniers and in citations by other troubadours.
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- Mi Niño Dios
- La conservación de las coronas de monjas del Museo de Arte Religioso
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Perdigon or Perdigo (fl. 1190–1220) was a troubadour from Lespéron in the Gévaudan. Fourteen of his works survive, including three cansos with melodies. He was respected and admired by contemporaries, judging by the widespread inclusion of his work in chansonniers and in citations by other troubadours. Though his biography is made confounding by contradicting statements in his vida and allusions in his and others' poems, Perdigon's status as <a href="https://www.last.fm/music/Perdigon">Read mor
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Wikidata facts
- Image
- BnF ms. 854 fol. 49 - Perdigon (2).jpg
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- Commons category
- Perdigon
- date of death
- 1220-00-00
- date of birth
- 1101-00-00
- start of work period
- 1190-00-00
- end of work period
- 1220-00-00
- name in native language
- Perdigon
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thumb|upright|Perdigons si fo joglars e saup trop ben violar e trobar: "Perdigons was a minstrel and knew very well how to fiddle and invent songs." Perdigon or Perdigo (fl. 1190–1220) was a troubadour from Lespéron in the Gévaudan. Fourteen of his works survive, including three cansos with melodies. He was respected and admired by contemporaries, judging by the widespread inclusion of his work in chansonniers and in citations by other troubadours.
Though his biography is made confounding by contradicting statements in his vida and allusions in his and others' poems, Perdigon's status as a jongleur from youth and an accomplished fiddler is well-attested in contemporary works (by him and others) and manuscript illustrations depicting him with his fiddle. Perdigon travelled widely and was patronised by Dalfi d'Alvernha, the House of Baux, Peter II of Aragon, and Barral of Marseille. His service to the latter provides an early definite date for his career, as Barral died in 1192 and Perdigon composed a canso—which survives with music—for him.